1960s Coat Dress - A Change in Plans

The reason I haven't updated on this project for such a long time is that I've made a change in plans.

Several months ago I bought a beautiful length of navy handkerchief linen, planning to use it for this dress. However, the coat dress pattern envelope calls for medium-weight fabrics such as twill or tweed, and hanky linen is very lightweight. I purchased this type of linen rather than regular linen because its texture is much finer (so fine, in fact, that it's almost sheer!). I kept telling myself that I could make it work, but deep down inside I knew that this type of fabric really doesn't have enough body to make this dress a success. I love the pattern, and I love the fabric, but I know they aren't right for each other. The linen was rather pricey, so I've decided that I'd rather wait for a better fabric to cross my path than be disappointed by the outcome of this garment. I'll still be using this pattern, but the project will be on hold until I find a material that is better suited to the design. It will work out fine, because the temperature is starting to drop again and I won't need the dress right away.

I also found a pattern that I really like that calls for handkerchief linen - Vogue 7693:

I'm considering blue dress in the center as a possible project. Coincidentally, I have just the right amount of fabric! Perhaps I'll make this dress for spring!

But, speaking of spring, I still need to sew for fall and winter! I'm going to experiment a little with sewing knits, so I bought Simplicity 4076. I'll be making view A (upper left w/shirred side seam), and I have a double knit that happens to be the same color. Hopefully this should be an easy fabric to start with, since double knits are stable with little lengthwise stretch.

I have a few completed projects that I've been meaning to share for some time, but I haven't taken any pictures yet. I'll try to do it sometime soon - this blog is suffering from a serious lack of updates!

1960s Coat Dress - Altering the Pattern

It's been too long since my last post! I've finally taken pictures of the altered muslin for the 60s coat dress, and compiled all of the pattern alterations.

This is the final version of the muslin, and this time I've sewn it together with the seams on the inside to get a better idea of how this dress is really going to appear once it has been finished. All of the pins around the bottom of the skirt are holding up the 2 5/8 inch seam allowance; the hem doesn't hang very gracefully because of the muslin, but with the fashion fabric and hand hemming stitches, it should hang just fine. The collar will be slightly narrower than it is in the picture, since the seam allowance will eventually be taken up by the facing seam (the same goes for the armholes).




Please pardon the "scenery" - the living room is in the process of being repainted ;)

Now for the alterations; I'll cover all the pattern changes in the order that I made them.


I began with the bodice back pattern piece (pictured above), making a narrow back adjustment to remove the extra fullness. Here's a list of the steps I took to make this alteration:

1.) I started by drawing a line parallel to the center back, starting from the middle of the shoulder.

2.) I then drew another line perpendicular to the first, starting from the middle of the armhole.

3.) Next, I drew a third line parallel to the second, starting one inch below the armhole.



4.) I slashed the pattern along the three lines, removing a small section of the pattern. I then slid the section in by one inch, removing a total of two inches because the amount doubles when both sides of the back are counted.



5.) I then redrew the armhole seam (then alteration book I used for this particular pattern change recommends using a French or fashion curve to redraw this seam; I had neither of these items on hand so I traced a copy of the old armhole shape and used it as an aid to smooth out the seam).

6.) For the final step, I redrew the side seam from the new underarm location to the waist.



While this was an improvement to the fit, there were still too many excess folds of fabric in the middle of my back, so I had a helper take in the top halves of the darts, and extend them to make them slightly taller. This gave it a nice fit, while still allowing adequate ease for movement. If you look carefully at the first picture of the back pattern piece above, you can see that the tops of the darts are deeper and longer.

Next, I moved to the front of the muslin:


This is probably the piece that underwent the most alterations! The first step toward a good fit was reducing the cup size of the bust darts. I did this by taking a horizontal tuck across the bust line on the muslin to determine how much fullness needed to be removed. The tuck was about a quarter inch wide, which doubles to half an inch. When you're removing fullness from the bust dart, each half an inch that you remove will be one cup size (commercial patterns are usually drafted to fit a B cup). If you look in the photo above, you might recognize the dart alteration that I posted about a while ago. But if you pretend that those darts haven't been raised, you can see where the pattern has been overlapped, and that's where I removed the excess room from the bust. I drew a line through the center of the dart from the side seam to the point, and from the point to the center front. I slashed along this line and overlapped the two pieces by a quarter inch, removing one cup size. I then reconnected the dart legs to the dart point.

This change immediately improved the fit. However, there was still an excessive amount of room under the arm, and I removed this by ripping open the top half of the side seam and pinning out a little extra room on the front only (I had already made alterations to the back at this point).

Finally, to fine-tune the fit, I took in the side seams above the waist, raised the bust and waist darts, and pinched them in slightly (mostly around the waist area on the waist dart), which helped define the waist a little. I made no alterations to the skirts pieces, as they already seem to fit.

Now that the main pieces are fitted, my next step is to alter the facing patterns to match, and gather the rest of the materials for the final dress. I still have to order some organza for interfacing and go hunting for buttons. I'm going to be lining at least the top half of the dress, so I'll need to find lining fabric as well. Perhaps some sort of cotton would be comfortable :)

Thank you for reading such a wordy post! As always, if you have any questions, just click on the comments link below!

1960s Coat Dress - Testing the Fit

Over the weekend, I traced a copy of the vintage coat dress pattern onto Swedish tracing paper. Yesterday I cut out a muslin, and today I basted it together. I sewed it together with the seam allowances on the outside, making it easier to adjust the seams. I haven't attached the skirt portion of the muslin yet, as I'm concentrating on the bodice at the moment. After trying it on, I found, as I had expected, there were a few usual fitting problems.









Both the front and back of the bodice are too loose, except for the hip area, which, as I've found, is rarely ever too baggy for me ;)

For the back of the bodice, I think a narrow back adjustment is needed. After discovering the extra fabric in the back of the polka dot wrap dress, I've been nagged by the fact that it didn't fit correctly. I didn't actually realize the poor fit until someone took pictures of it on me. It was strange, I thought, because I had tissue fitted the bodice and had foreseen no problems. After leafing through a few fitting books, however, I found the answer: my back is proportionally smaller than the front side of my body, from my shoulders to my waist. Why didn't I discover the problem while fitting the pattern? I had fit it over my dress form, whose back is proportionate to the front of its body! A narrow back can be identified by the vertical folds or wrinkles of fabric from the shoulders to the waist, and it's usually caused by a very erect posture, though some people are simply born with it.

If anyone has any input on how to fit the front of the bodice, it would be really helpful! As the last picture shows, there is a lot of extra room under the arm. The narrow back adjustment will take care of the back half of it, but I'm not sure whether I should just rip open the seam and pin out the extra room, or if I should make some sort of small bust adjustment, which would likely include slashing the front of the bodice pattern and overlapping the pieces to make it smaller.

I'll be sure to post again once the fit is corrected, showing the alterations that I will have made :)

Next Project: 1960's Coat Dress

This double-breasted frock is low waisted, and has a pleated skirt that gives the illusion of a wrap-around dress. I'm planning on making view B (the red dress on the right) in navy blue with white topstitching and white buttons.

I was able to go fabric shopping yesterday, and purchased a length of navy blue handkerchief linen. The pattern actually recommends ordinary linen, twills, and other fabrics that are similar in weight, but I really prefer the texture of hanky linen compared to that of regular linen. Perhaps I ought to underline it, to give it a little more body (any suggestions?). I'm not sure how easy it would be to line such a dress, as the bodice starts like a wrap, yet runs into a pleated skirt. Hmmmm. . .

I'm also unsure as to what sort of interfacing I will use, for the envelope simply calls for a woven interfacing. I could just try a sew-in/non-fusible interfacing from JoAnn's, but perhaps a lightweight cotton, such as batiste, would be more appropriate. Does anyone have any ideas?

After seeing the pattern, my sister asked if I could make her a dress, too, so it looks as though I might be using this pattern twice!